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The ancient Chinese self-identified as "the gods of the dragon" because the Chinese dragon is an imagined reptile that represents evolution from the ancestors and qi energy.
The coiled dragon or snake form played an important role in early Chinese culture. The character for "dragon" in the earliest Chinese writing has a similar coiled form, as do later jade dragon amulets from the Shang period.
Ancient Chinese referred to unearthed dinosaur bones as dragon bones and documented them as such. Fossilized remains of Mei long have been found in China in a sleeping and coiled form, with the dinosaur nestling its snout beneath one of its forelimbs while encircling its tail around its entire body.
The C-shaped jade totem of Hongshan culture c. Gilded-bronze handle in the shape of a dragon head and neck, made during the Eastern Han period 25— AD.
From its origins as totems or the stylized depiction of natural creatures, the Chinese dragon evolved to become a mythical animal.
The Han dynasty scholar Wang Fu recorded Chinese myths that long dragons had nine anatomical resemblances. The people paint the dragon's shape with a horse's head and a snake's tail.
Further, there are expressions as 'three joints' and 'nine resemblances' of the dragon , to wit: from head to shoulder, from shoulder to breast, from breast to tail.
If a dragon has no [ chimu ], he cannot ascend to the sky. Further sources give variant lists of the nine animal resemblances.
The head of a crocodile. A demon's eyes. The neck of a snake. A tortoise's viscera. A hawk's claws. The palms of a tiger. A cow's ears. And it hears through its horns, its ears being deprived of all power of hearing.
Chinese dragons were considered to be physically concise. Of the scales, 81 are of the yang essence positive while 36 are of the yin essence negative.
Initially, the dragon was benevolent, wise, and just, but the Buddhists introduced the concept of malevolent influence among some dragons.
Just as water destroys, they said, so can some dragons destroy via floods, tidal waves, and storms. They suggested that some of the worst floods were believed to have been the result of a mortal upsetting a dragon.
Many pictures of Chinese dragons show a flaming pearl under their chin or in their claws. The pearl is associated with spiritual energy, wisdom, prosperity, power, immortality, thunder, or the moon.
Chinese art often depicts a pair of dragons chasing or fighting over the flaming pearl. This description accords with the artistic depictions of the dragon down to the present day.
The dragon has also acquired an almost unlimited range of supernatural powers. It is said to be able to disguise itself as a silkworm , or become as large as our entire universe.
It can fly among the clouds or hide in water according to the Guanzi. It can form clouds, can turn into water, can change color as an ability to blend in with their surroundings, as an effective form of camouflage or glow in the dark according to the Shuowen Jiezi.
In many other countries, folktales speak of the dragon having all the attributes of the other 11 creatures of the zodiac, this includes the whiskers of the Rat , the face and horns of the Ox , the claws and teeth of the Tiger , the belly of the Rabbit , the body of the Snake , the legs of the Horse , the goatee of the Goat , the wit of the Monkey , the crest of the Rooster , the ears of the Dog , and the snout of the Pig.
In some circles, it is considered bad luck to depict a dragon facing downwards, as it is seen as disrespectful to place a dragon in such manner that it cannot ascend to the sky.
Also, depictions of dragons in tattoos are prevalent as they are symbols of strength and power, especially criminal organisations where dragons hold a meaning all on their own.
As such, it is believed that one must be fierce and strong enough, hence earning the right to wear the dragon on his skin, lest his luck be consumed by the dragons.
Chinese dragons are strongly associated with water and weather in popular religion. They are believed to be the rulers of moving bodies of water, such as waterfalls, rivers, or seas.
The Dragon God is the dispenser of rain as well as the zoomorphic representation of the yang masculine power of generation.
Because of this association, they are seen as "in charge" of water-related weather phenomena. In premodern times, many Chinese villages especially those close to rivers and seas had temples dedicated to their local "dragon king".
In times of drought or flooding, it was customary for the local gentry and government officials to lead the community in offering sacrifices and conducting other religious rites to appease the dragon, either to ask for rain or a cessation thereof.
The King of Wuyue in the Five Dynasties and Ten Kingdoms period was often known as the " Dragon King " or the "Sea Dragon King" because of his extensive hydro-engineering schemes which "tamed" the sea.
According to Chinese legend, both Chinese primogenitors, the earliest Door and the Yellow Emperor Huangdi , were closely related to 'Long' Chinese dragon.
At the end of his reign, the first legendary ruler, the Yellow Emperor, was said to have been immortalized into a dragon that resembled his emblem, and ascended to Heaven.
The other legendary ruler, the Yan Emperor, was born by his mother's telepathy with a mythical dragon. Since the Chinese consider the Yellow Emperor and the Yan Emperor as their ancestors, they sometimes refer to themselves as " the descendants of the dragon ".
This legend also contributed towards the use of the Chinese dragon as a symbol of imperial power. Dragons usually with five claws on each foot were a symbol for the emperor in many Chinese dynasties.
During the Qing dynasty, the imperial dragon was colored yellow or gold, and during the Ming dynasty it was red. During the late Qing dynasty, the dragon was even adopted as the national flag.
Dragons are featured in carvings on the stairs and walkways of imperial palaces and imperial tombs, such as at the Forbidden City in Beijing.
In some Chinese legends, an emperor might be born with a birthmark in the shape of a dragon. For example, one legend tells the tale of a peasant born with a dragon birthmark who eventually overthrows the existing dynasty and founds a new one; another legend might tell of the prince in hiding from his enemies who is identified by his dragon birthmark.
In contrast, the Empress of China was often identified with the Chinese phoenix. Worship of the Dragon God is celebrated throughout China with sacrifices and processions during the fifth and sixth moons, and especially on the date of his birthday the thirteenth day of the sixth moon.
Dragons or dragon-like depictions have been found extensively in neolithic-period archaeological sites throughout China.
Some of earliest depictions of dragons were found at Xinglongwa culture sites. Yangshao culture sites in Xi'an have produced clay pots with dragon motifs.
A burial site Xishuipo in Puyang which is associated with the Yangshao culture shows a large dragon mosaic made out of clam shells.
The Hongshan culture sites in present-day Inner Mongolia produced jade dragon objects in the form of pig dragons which are the first 3-dimensional representations of Chinese dragons.
One such early form was the pig dragon. It is a coiled, elongated creature with a head resembling a boar. It is said that the ancient people of China saw themselves as the descendants of the dragon and even today Chinese people feel a strong connection with this symbol.
There are representations of dragons practically all over China. The most important of these are found in royal palaces, sculpted or painted in temples or woven on silk robes worn by high priests and royalty.
The symbol of the dragon especially the Yellow Dragon was the symbol of imperial authority, the emblem of the emperor. There is also a story which connects the mysterious figure of Fu-xi with dragons.
According to this tradition, Fu-xi had the arrangement of the trigrams of the I Ching revealed to him in the markings on the back of a mythical dragon-horse.
In the various alchemical, religious and philosophical writings of China, there are many references to Chinese sages who, after gaining immortality, became identified with the dragon and ascended to heaven.
Today I have seen Lao Tzu, and can only compare him to the dragon. In popular mythology it signifies power, excellence, goodness, perseverance, heroism, nobility and greatness.
It brings energy, optimism, intelligence, courage, good fortune and ambition. In one tradition, we find three classes of dragons: the lowest were the Li Lung or earth dragons, whose realm was the waters of the earth, the second class were the Chen Lung who were associated with storms and clouds the astral realm and finally we find the Tien lung or celestial dragons, who belonged to the spiritual realm and guarded the mansions of the gods.
As legend tells a carp once saw a mountain and wanted to visit it. The determined fish swam upstream, over waterfalls and through rapids to reach the mountain.
The carp came upon a mythical Dragon Gate, successfully leaped over it and became a dragon. Chinese dragons are strongly associated with moving water such as rivers, oceans and waterfalls.
They are known as the lords of moving water. Unlike the dragons found in the western culture, Chinese dragons are gentle, friendly and wise. Depicted as mythical dragon drawings it is easy to understand why these beautiful creatures, the dragons of China, were loved and worshiped.
Considered the angels of the Orient, the dragon symbolizes the natural forces of nature. The earliest symbol for the dragon appeared in ancient China, during the Yin and Shang dynasties, between the 16th and 11th century B.
These early Chinese hieroglyphics were found on turtle shields and bones between inscriptions. During the Han dynasty, from B.
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